Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. A message came for Mary about ten o’clock, brought by a scared little girl, who whispered it to her at the door. Mary apologized. She had to go out. The party broke up. Mary disappeared into the next room and returned in a shawl and bonnet, carrying a small brown paper parcel. Joan walked with her as far as the King’s Road.!

Mud and dirt! Dirty faces, dirty hands, dirty clothes, dirty food, dirty beds; dirty interiors, from which there was never time to wash the mud; dirty linen hanging up to dry, beneath which dirty children played, while dirty women scolded. Filth and desolation all around. Shattered farmsteads half buried in the mud; shattered gardens trampled into mud. A weary land of foulness, breeding foulness; tangled wire the only harvest of the fields; mile after mile of gaping holes, filled with muddy water; stinking carcases of dead horses; birds of prey clinging to broken fences, flapping their great wings. “I’m sorry,” she continued; “awfully sorry, old girl. It’s a bit of rotten bad luck for both of you. You were just made for one another. And Fate, knowing what was coming, bustles round and gets hold of poor, silly Mrs. Phillips so as to be able to say ‘Yah.’”

The striking of the old church clock recalled her to herself. But she had only a few minutes’ walk before her. Mary had given up her Church work. It included the cleaning, and she had found it beyond her failing strength. But she still lived in the tiny cottage behind its long strip of garden. The door yielded to Joan’s touch: it was seldom fast closed. And knowing Mary’s ways, she entered without knocking and pushed it to behind her, leaving it still ajar. Joan felt relieved—she hardly knew why—that he bore the test. It was a well-built, athletic frame, and he had gone to a good tailor. He looked taller in them; and the strong, clean-shaven face less rugged. She sat in the dusk after Flossie had gone; and the laboured breathing of the tired city came to her through the open window. She had rather fancied that martyr’s crown. It had not looked so very heavy, the thorns not so very alarming—as seen through the window. She would wear it bravely. It would rather become her.